काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

118 KĀVYAPRAKĀŚA
अत्र लिप्तेति पयोदसुहृदामिति च अत्यन्ततिरस्कृतवाच्ययोः
संसृष्टिः । ताभ्यां सह रामोस्मीत्यर्थान्तरसंक्रमितवाच्यस्या-
नुग्राह्यग्राहकभावेन रामपदलक्षणैकव्यञ्जकानुप्रवेशेन चार्थान्तरसं-
क्रमितवाच्यरसध्वन्योः संकरः । एवमन्यदप्युदाहार्यम् ॥
इति काव्यप्रकाशे ध्वनिनिर्णयो नाम चतुर्थ उल्लासः ॥ ४ ॥
dent) of the two suggestions (where the expressed mean-
ing is entirely ignored) ;—and (b) again with these two
there is ‘commixture’ with the suggestion in the expression
‘I am Rāma’, whose expressed meaning is transformed
into something else (i. e. disregard for himself, who is
known to be the receptacle of constant sufferings); in
which commixture (of the second kind) the two factors
help each other,—and another ‘commixture’ (of the
third kind) of the suggestion (by the whole sentence)
of the ‘erotic in privation’ and that (by the single word
‘rāmaḥ’) of ‘self-abnegation’, in both of which the
Expressed meaning is transformed, and both of which
form part and parcel of what is indicated by the single
word ‘rāmaḥ’.
The other varieties may be similarly illustrated. 43-44.
[Here ends the chapter IV entitled Description of Suggestion of
the Kāvyaprakāśa.]