काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 111
ये क्ष्माशक्र पुनः पराक्रमनयस्वीकारकान्तक्रमास्--
ते स्युर्नैव भवादृशास्त्रिजगति द्वित्राः पवित्राः परम् ॥१०४॥
अत्र पराक्रमस्य प्राधान्यमवगम्यते ।
विभक्तिविशेषस्य यथा
प्रधनाध्वनि धीरधनुर्ध्वनिभृति विधुरैरयोधि तव दिवसम् ।
दिवसेन तु नरप भवानयुद्ध विधिसिद्धसाधुवादपदम् ॥१०५॥
अत्र दिवसेनेत्यपवर्गंतृतीया फलप्राप्तिं द्योतयति ।
भूयो भूयः सविधनगरीरथ्यया पर्यटन्तं
दृष्ट्वा दृष्ट्वा भवनवलभीतुङ्गवातायनस्था ।
साक्षात्कामं नवमिव रतिर्मांलती माधवं यत्
गाढोत्कण्ठालुलितलुलितैरङ्गकैस्ताम्यतीति ॥१०६॥
their actions guided by both valour and statesmanship
(“parākramanaya”),—of those there may, or may not be,
even two or three in all the three worlds !”
Here the placing of ‘parākrama’ (valour) before
‘naya’ (statesmanship) in the compound [which is irregular
in view of the rule that the shorter term should precede
the longer] suggests the superior importance of Valour.
Pradhanādhvani dhīradhanurdhvanibhṛti vidhurairayodhi tava
divasam.
Divasena tu narapa bhavānayuddha vidhisiddhasādhuvādapadam.
‘O protector of men ! in the battle resounding with
the twanging of bows wielded by the brave, thy enemies
fought all the day long; you, on the other hand, fought by the
day in such a way as to win encomiums from all good men.’
The Instrumental ending in ‘divasena’ (‘by the day ’),
which denotes ‘success’ (according to Pāṇini 2.3.6)),
suggests that the king addressed attained the object for
which he fought.
‘Seated in the high window of her mansion, whenever
Mālatī, who resembles Rati, sees Mādhava, who is a new