काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 101
पविसंती घरवारं विवलिअवअणा विलोइऊण पहं ।
खंधे घेत्तूण घडं हा हा णट्ठोत्ति रुअसि सहि किंति ॥९०॥
अत्र हेत्वलंकारेण संकेतनिकेतनं गच्छन्तं दृष्ट्वा यदि तत्र
गन्तुमिच्छसि तदा अपरं घटं गृहीत्वा गच्छेति वस्तु किंति-पद-
द्योत्यम् । यथा वा
विहलंखलं तुमं सहि दट्ठूण कुडेण तरलतरदिट्ठिं ।
वारप्फंसमिसेण अ अप्पा गुरुओत्ति पाडिअ विहिण्णो॥९१॥(१६)
अत्र नदीकूले लतागहने कृतसंकेतमप्राप्तं गृहप्रवेशावसरे
पश्चादागतं दृष्ट्वा पुनर्नदीगमनाय द्वारोपघातव्याजेन बुद्धिपूर्वं
व्याकुलतया त्वया घटः स्फोटित इति मया चिन्तितं तत्किमिति
(16) [Suggestion of perceptible process—of a fact by a figure
resting upon the fanciful assertion of an imaginary person.]—
‘O friend ! You were entering your house-door,
with the jar on your shoulders, and turning your face
and looking towards the road, you say “ the jar is broken ”
and are weeping :—why is this ?’
The Figure of ‘ Poetic Reason ’ (implying ‘ you are
weeping because the jar is broken’), suggests the follow-
ing fact—‘ on seeing your lover going to the place of
appointment, if you wish to go there, then you take up
another jar and go there ’, which is implied by the ex-
pression ‘ why is this ’.
Another example of the same—
‘ The jar, seeing that you were exhausted and your
eyes were unsteady, thought itself too heavy for you,
and therefore, it has broken itself under the pretext of
having struck against the door.’
The Figure of ‘concealment ’, involved in the expre-
ssion ‘ under the pretext of having struck against the door ’,