काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER IV 65
एषा विरहोत्कण्ठिता ।
सा पत्युः प्रथमापराधसमये सख्योपदेशं विना
नो जानाति सविभ्रमाङ्गवलनावक्रोक्तिसंसूचनम् ।
स्वच्छैरच्छकपोलमूलगलितैः पर्यस्तनेत्रोत्पला
बाला केवलमेव रोदिति लुठल्लोलालकैरश्रुभिः ॥ ३४ ॥
प्रस्थानं वलयैः कृतं प्रियसखैरस्रैरजस्रं गतं
धृत्या न क्षणमासितं व्यवसितं चित्तेन गन्तुं पुरः ।
यातुं निश्चितचेतसि प्रियतमे सर्वे समं प्रस्थिता
गन्तव्ये सति जीवित प्रियसुहृत्सार्थः किमु त्यज्यते ॥ ३५ ॥
त्वामालिख्य प्रणयकुपितां धातुरागैः शिलाया-
मात्मानं ते चरणपतितं यावदिच्छामि कर्तुम् ।
अस्रैस्तावन्मुहुरुपचितैर्दृष्टिरलुप्यते मे
क्रूरस्तस्मिन्नपि न सहते संगमं नौ कृतान्तः ॥ ३६ ॥
The girl depicted here is anxious in separation.
(c) ‘ On the occasion of her husband’s first delin-
quency, not having been instructed by her friend, she
knows not how to make any graceful gestures or poignant
remarks ; all that she does is to turn away her lotus-like
eyes and weep with tears flowing down her cheeks and
rolling over her dishevelled tresses’.
(d) ‘ The Bracelets have gone ; your dear friends the
Tears have freely departed ; Patience stayed not for a
moment ; the Mind determined to go forward ;—on
my beloved having made up his mind to depart, all these
have started together ; O Life ! as you also have to go,
why are you losing the company of your dear friends ?’
(e) ‘ Having painted thee in a mood of loving dis-
pleasure, on a slab of stone with mineral pigments,—as
5