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सर्वकोश
काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

Kavyamimamsa of Rajasekhara with Hindi Commentary

महाकवि राजशेखर / पं. केदारनाथ शर्मा द्वारा

DevanagariSanskritpublished381 पृष्ठ

पृष्ठ 207, कुल 381 में से

संदर्भ में पढ़ें
पृष्ठ 207

152 EXPLANATORY NOTES
*[ l. 4. प्राणानामनिलेन (अभिज्ञानशाकुन्तल VII. 12.) ]
l. 4. In this verse Kālidāsa describes the sages practising
penance on the mount Hemakūṭa situated in the land of Kimpu-
ruṣavarṣa which could not conceivably be seen by him from
Bhāratavarṣa (see p. 92 of this work).
*[ l. 8. अनेन सार्ध (रघुवंश. VI. 57.) ]
l. 8. Here also Kālidāsa describes the condition of an island
on the opposite side of the country of the king in question and
refers to the Lavaṅga flower grown in that island. Did he actually
visit the place?.
*[ l. 12. हरोऽपि (कुमार. III. 67.) ]
l. 12. Again, the same poet describes the conduct of
Mahādeva when he falls in love with Pārvatī. Can such scenes
be envisaged?.
*[ l. 16. तथागतायाम् । (रघु. VI. 82.) ]
l. 16. The feelings of a lady for the first time in the presence
of her lover, and the behaviour of her maid servant at that time,
are fully described here by the same poet, who, being a male, is not
expected to know the true feelings of a female mind.
Page. 13.
l. 1. Three kinds of neophytes develop into three different
types of poets as under :—
Śiṣya Poet
बुद्धिमान् = सारस्वतः ।
आहार्यबुद्धिः = आभ्यासिकः ।
दुर्बुद्धिः = औपदेशिकः ।
l. 4. तन्त्रशेषम् । Several efforts through the aid of Mantras and
some Tāntric practices.
l. 5. फाणितम् = raw sugar.
l. 10. उत्कर्षः । Yāyāvarīya thinks that eminence or superiority
is always preferable and that the combination of several qualities
brings forth eminence.
*[ l. 19. एकस्य. Read न्यस्य विदग्धवदनेषु. cf. तत्काव्यमारोप्य पदं विदग्धवक्त्रेषु
विश्वं परिभ्रमतीति ॥ (रुद्र-शृङ्गारतिलक. II. 70.) ]
l. 19. All MSS read न्यस्याविदग्धवदनेषु etc. If this reading is
accepted the meaning of the second half would be : good poetry, while
travelling, tramples upon the faces of the uncultured people with its