कामिक आगम: पूर्व भाग (अष्टाविंशति मूल शैव आगमों का प्रथम एवं सर्वोच्च आगम महाकोश)

हृष्ट देव्या समासीनं सदेशं शक्तिविग्रहम्।
ध्यात्वा तच्छिरसि न्यसेत् पवित्रं कर्मपूर्वकम्॥ ५०२
प्रत्यहं वाङ्मनः काय व्यापार जनितादलम्।
पतनात्त्रायते यस्मात् तस्मादेव पवित्रकम्॥ ५०३
प्रकृतौ परमीभावं संपूत्यर्थं अनन्तरम्।
परमान्तिकमुच्चार्य प्रासादं पूर्ववन्नयेत्॥ ५०४
hṛṣṭa devyā samāsīnaṁ sadeśaṁ śaktivigraham|
dhyātvā tacchirasi nyaset pavitraṁ karmapūrvakam|| 502
pratyahaṁ vāṅmanaḥ kāya vyāpāra janitādalam|
patanāttrāyate yasmāt tasmādeva pavitrakam|| 503
prakṛtau paramībhāvaṁ saṁpūrtyarthaṁ anantaram|
paramāntikamuccārya prāsādaṁ pūrvavannayet|| 504
Having meditated on Lord Sadasiva whose form is constituted of skati-kala mantras and who is seated with
His delighted Sakti, the Guru should place a pavitra( a protective and purificatory darbha-grass designed
in a specific pattern) on the head of the Lord, preceded by the relevant rituals. A sadhka gets himself
entangled daily in the bonds of karmas knowingly or unknowingly through his words, mind and body.
Since it protects the sadhka from falling into the hellish worlds because of such karmic bonds, it is
called 'pavitraka'. Having recited the mantras related to 'paramibhava' (state of oneness with the Lord)
for the sake of prefect completion of the commenced rituals, he should recite the prasada mantra raising his
central channel up to dvadasanta and conceive its oneness with the Lord, as done before.
प्ररोचनं तु कर्तव्यं मुद्रया प्रागुपात्तया।
प्रार्थयित्वा जपं कुर्याद् अक्षसूत्रेण बुद्धिमान्॥ ५०५
अक्षाणां अक्षकल्पनां संयमो यत्प्रसूयते।
दृष्टादृष्टफलावाप्तेरक्षसूत्रं तदुच्यते ॥ ५०६
rarocanaṁ tu kartavyaṁ mudrayā prāgupāttayā|
prārthayitvā japaṁ kuryād akṣasūtreṇa buddhimān|| 505
akṣāṇāṁ akṣakalpānāṁ saṁyamo yatprasūyate|
dṛṣṭādṛṣṭaphalāvāpterakṣasūtraṁ taducyate|| 506
Then the raised display of mahamudra which was shown earlier should be done. Then having supplicated
to the Lord, the learned Guru should do the inacantation of mula mantra with the rosary of rudraksha. Since
it imparts the power of control over the senses and over all the activities done by the senses for the secured
attainment of perceptible and imperceptible fruits, it is called 'aksha sutra'.