कामिक आगम: पूर्व भाग (अष्टाविंशति मूल शैव आगमों का प्रथम एवं सर्वोच्च आगम महाकोश)

datvā'jātena pādyaṁ tu pādayostanmukheṣu ca|
ācamānte ca mūrdhādhyaiḥ śirasyarghyaṁ pradāpayet|| 435
pañcagavyābhiṣekādau mahāghaṇṭāravānvitam|
upasnāna samāyuktaṁ dhūpaṁ vā vinivedayet|| 436
avaśyaṁ āvṛtānte syād upasnānaṁ sadhūpakam|
The Guru should offer the padya-water at the feet of the Lord with the recital of sadyojata mantra. Then he
should offer the acamana-water to the face and arghya-water at the head with the accompaniment of
siro mantra. While performing the ablution with pancagavya and others, the great bell should be sounded;
subsequent bathing(upasnana) should be done and the incense should be offered. At the completion of
each phase of ritual, the subsequent bath and the offering of incense should be essentially done.
गापयेन्मन्त्रगानं वा वीणानादं तथापि वा॥ ४३७
वेदाध्ययनं अन्यच्च शास्त्रपाठादिकं च यत्।
तदूर्ध्वं गौडभाषाद्यैः गानं धूपान्तं आचरेत्॥ ४३८
ऊर्ध्वं द्राविडभाषाङ्गं गानं नृत्तयुतं तु वा।
संस्कृतादनपभ्रंशं नानास्वर समन्वितम्॥ ४३९
यदष्टादश भाषोत्थं गानं वा परिकल्पयेत्।
नानादेश प्रसूतं च नर्तनं परिकल्प्य च॥ ४४०
gāpayenmantragānaṁ vā vīṇānādaṁ athāpi vā|| 437
vedādhyayanaṁ anyacca śāstrapāṭhādikaṁ ca yat|
tadūrdhvaṁ gauḍabhāṣādyaiḥ gānaṁ dhūpāntaṁ ācaret|| 438
ūrdhvaṁ drāviḍabhāṣāṅgaṁ gānaṁ nṛttayutaṁ tu vā|
saṁskṛtādanapabhraṁśaṁ nānāsvara samanvitam|| 439
yadaṣṭādaśa bhāṣotthaṁ gānaṁ vā parikalpayet|
nānādeśa prasūtaṁ ca nartanaṁ parikalpya ca|| 440
The singing of the songs composed of mantras, vina-recital, systematic recital of the Vedas, reading of
the Agamic Scriptutres and other works, then the singing of the songs composed in gauda-language and
others – these should be done until the completion of the offering of incense. Then, the hymns composed
in dravida-language and its dialect languages should be sung. Such hymns may be sung supported by
dance recital. Musical compositions in Sanskrit should be rendered melodiously without the occurrence
of corrupted words and with correct setting of musical notes(svaras). Or, the singing of the songs composed
in the eighteen languages may be arranged for. Arrangement for the performance of dance evolved in
various parts of the country may be done.
पुष्पप्रतिसराद्यैश्च समन्तालम्बयेदधः।
निर्धूमज्वलदङ्गार पूर्णपात्रोदरे भृशम्॥ ४४१
दह्यमानेन धूपेन धूपयेत्तदनन्तरम्।