कामिक आगम: पूर्व भाग (अष्टाविंशति मूल शैव आगमों का प्रथम एवं सर्वोच्च आगम महाकोश)

provided in the middle of the base in such a way that it stands with firmness and stability.
Having designed the seat with the recital of the mantra meant for making the seat, he should
bring out the mantra-form of the Deity through the recital of the samhita mantras.
मूर्तिमन्त्रान्न्यसेत्कुम्भं तोयगं प्रतिमाहृदि।
तदम्बसा तु संस्नाप्य लोकपान् परितो न्यसेत्॥ ७८
तच्छैलं सुधालेप्य वस्त्रेणावेष्ट्य चित्रयेत्।
शूलस्थापन काले तु मूर्तिमन्त्र मनुन्यसेत्॥ ७९
mūrtimantrānnnyasetkumbhaṁ toyagaṁ pratimāhṛdi|
tadambasā tu saṁsnāpya lokapān parito nyaset|| 78
tacchailaṁ sudhālepya vastreṇāveṣṭya citrayet|
śūlasthāpana kāle tu mūrtimantra manunyaset|| 79
He should do the nyasa of the mantra pertaining to the form of the Deity by sprinkling the
drops of consecrated water contained in the main vessel(pradhana kalasa) over the chest
of the image. Then he should perform the ceremonial bath to the image with that consecrated
water and worship the eight directional Deities around the installed image. Having plastered
the stone-image with stucco, he should adorn the image with new cloth and beautify it with
other materials. During the installation of the wooden frame, the Acharya should do the nyasa
of the mantra meant for designing the form of Deity.
॥ इति कामिकाख्ये महातन्त्रे त्रिशूलस्थापनविधि पटलः षट्षष्टितमः ॥
|| iti kāmikākhye mahātantre triśūlasthāpanavidhi paṭalaḥ ṣaṭṣaṣṭitamaḥ||
This is the 66ᵗʰ Chapter “Directions for Structuring the Wooden Inner Frame” in the Great Tantra called Kamika